Antique Power Museum Field Trip

History: Richard Erickson has been collecting treasures from the past his entire life. In addition to viewing over 120 antique farm tractors, more than 50 motorcycles dating back to 1911, antique trucks and steam engines, we will see a 1960's-era salvage garage, a restored shoe repair store from Salt Lake City's North Temple Street, a print shop, complete with working presses, a vintage service station, two historic cabins from the nearby Heber Valley, a blacksmith shop, a restored Salt Lake City café, and a shingle and lathe mill.

The Erickson Foundation has graciously allowed us to come and shoot a full day at the Antique Power Museum. This Museum is open to the public only once a year but we were able to have them make an exception for us,this way we don’t have to deal with the crowds and shoot as much as we like. The Foundation has asked us to please not use any of the pictures for commercial usage (No sale of the Images) so please respect their wishes. Part of our agreement with the museum is to provide club images for their promotional use. After you've finished processing your images you will be asked to upload a few of your best to compensate them for their time.

Here are some of the things you can find in their museum:

  • 1946 Indian Motorcycle once owned by Steve McQueen
  • Model T Ford once owned by Gene Autry
  • Gibson Guitars once owned by Mother Maybelle Carter, mother-in-law to famous country singer, Johnny Cash
  • 1938 Lincoln Convertible used in the movie "Bugsy"
  • Time clock used on the Bonneville Salt Flats from 1838 to ??  Freddy Ludlow set two world speed records in 1938 using this time clock.
  • Actual workout weights used by boxer Jack Dempsey

Complete antique town, including a filling station, print shop, shoe repair shop, cafe and more... all with authentic furnishings, machinery and other memorabilia.

Where: 50 Starks Ln, Wallsburg, UT

When: Sat. October 15 @ 10am

If you plan to attend please RSVP.

Please note there are no vendors or anything food related. Please bring your own food for the day.

This field trip was enormously popular last year. Mark your calendars and don't miss it.

Exhibit at Red Butte Garden Annouced

Floralgraphy - An Intimate Look at Flowers

In its third straight year of successful exhibiting, the Wasatch Camera Club is assembling a photographic portfolio entitled Floralgraphy - An Intimate Look at Flowers. The exhibit will present around 30 photographs taken by our talented club members.

Gertrude Stein wrote, “Rose is a rose is a rose is a rose.” On one level she is correct. But all things can reveal deeper mysteries if one peers with curiosity, imagination, and an open-mind. Flowers are no different. A field of brightly colored tulips will always attract the attention of photographers — amateur and professional alike. But step closer into the frame and a flower can become abstract, sensual, soft or tenuous, depending upon its visual personality. We call this approach: Florography - An Intimate Look at Flowers. Whether using close-up lenses or compositions, with this exhibit we explore far beyond a rose merely being a rose.

Holding the belief that photographic prints are the highest expression of the craft of photography, the club encourages members to print, frame and hang their finest works. The Florography exhibit is evidence of the level of talent, the beauty of great print-making and the joy of presentation through the careful selection of the club’s best floral works. 

If you have images you'd like to be considered for this exhibit go here for details.

March 31–April 23, 2017

Red Butte Garden and Arboretum

300 Wakara Way, Salt Lake City

Three Photoshop Workshops Announced

Put the Ultimate Photo Editing Tool in Your Hands

Many club members have expressed interest in learning more about Photoshop and we’re happy to announce three new workshops to help you expand your skills. These workshops are scheduled close together to enable you to build knowledge from previous classes as you go. Or, you may wish to pick individual workshops most pertinent to your needs. Regardless, your work will never be the same.

Pixels associate, master photographer and long time friend of the Wasatch Camera Club, Randy Collier will be your instructor. Randy provides instruction in a fun, thorough format where you come to truly understand Photoshop. Classes will be held at the Pixels store in Sandy and you’re welcome to bring your laptop to follow along with Randy’s instructions. (If not, prepare to take careful notes.)

For planning reasons we’d like everyone to register as quickly as possible. We anticipate this will be popular and we may need to use a larger space. The fee per class is $30 which includes a nine dollar club member discount from the normal price.

Here is the schedule:

Basic Tools - Wednesday, October 12th from 7:00 PM ’til 9  $30

This essential instruction lays groundwork for any future Photoshop work.

Using Layers - Tuesday, October 18th 7:00 PM ’til 9  $30

Compositing - Wednesday, November 9th 7:00 PM ’til 9  $30

Register Here and Now

Architectural Lighting Workshop

Club member Doug Pizac shares his secrets about how to paint with light using just one strobe. By compositing the images he transforms a rather dull outdoor shot of a home or indoor room into images with life.  In this workshop he will cover the entire process first, by choosing an area/room at the library, photographing it, and then creating a layered image live using Photoshop on the meeting room’s projection screen. This is a very effective technique that can be applied to a number of subjects shot in challenging lighting conditions, and the equipment needed is budget-friendly.

When: Wednesday, September 14th, at 6:30 p.m.
Where: City Library, Conference Room B

Interesting Changes Coming To Our Competition/Critique Sessions

We are always working to improve our competition/critiques and this year we’ve made changes based on comments and experiences from last year.

In the past, we have required participants to add a title to their entries. While titling is widely popular in the art world, some believe images should stand on their own. This being the case, we will give entrants the opportunity to have a title that the judges see or, if they prefer, not.

Also, judges will no longer see images organized by ranking. This will permit anyone’s image to receive scoring based entirely on merit. This change was made to eliminate any possible bias a judge might have on seeing an image based on ranking. For example, an image in the Masters category could create an expectation for higher scores. Now, our judges will not see a ranking associated with an image requiring them to score based solely on the photograph’s perceived quality.

Competition Director Jason Hutchison is also redistributing the number of participants in each ranking. The crowded Intermediate and Advanced rankings were getting too large while the Masters ranking was shrinking. Normally, the winners in each ranking are promoted to a higher ranking each year but this was taking too long to create manageable ranking sizes. So, 3 to 4 participants in the lower rankings are being promoted up for the coming year. Jason pointed out that these promotions are all well deserved based on quality work.

Our attempt to create synergy between Exhibits and Competition/critiques seemed to create some confusion with last year’s themes in that the themes were also possible exhibit titles. We don’t think that worked very well and this year the themes have been reset to be similar to earlier years.

With these changes in place it’s going to be an exciting year and we encourage all members to jump in and participate in this very successful program. We know from past experience, competition/critiques are a powerful way to help improve everyone’s work.

Autumn in Zion Park Field Trip

Back by Popular Demand

Last year’s trip was so successful that it bears repeating!  There is no place better than Zion National Park to experience Utah’s autumn colors and grandeur.  Join the Wasatch Camera Club for an excursion that will offer ample photographic opportunities for beginners and pros alike. 

Most of the details of the trip are still being arranged, but it is likely that the trip will be very similar to last year’s event. Moderate hiking will be required!  If weather permits, the trip will include a hike into the Narrows for those who wish. Other photo locations may require shorter hikes. 

The cost of the trip will is still to be determined.  The group will be limited to 12 people, selected by lottery.    Registration for the lottery is now open. You can register here. Stay tuned for more information, or email Claudia with questions.

PhotoOp 16 Provides Thought Provoking Material

PhotoOp 16 left shutter speeds and f-stops far behind in this thinking person’s daylong presentation. Numerous concepts, perspectives, philosophies and even research findings were shared with the event’s approximate 145 attendees.

Jack Dykinga started the day off with a problem-solving approach for creating compelling, well-composed images. Attendees were encouraged to simplify their images and match lighting with the mood of the subject. From a technical point of view, Jack encouraged photographers to “make friends with black” and not worry about shadows. Interestingly, he used images photographed at intervals and then stacked in Photoshop to capture lightning strikes. Jack pointed out that lighting is ephemeral and changing constantly. Photographers are urged to recognize those changes and wait for the optimum light.

Guy Tal urged photographers to use image making as a way to express what they feel about their subjects. In his opinion, as well as in the view other notable photographers, photographs are more than what the camera captured, but an expression of the photographers’ feelings about the subject. Guy also introduced the topic of Visual Language. He related how scientists are working to connect visual stimuli with certain emotions. Colors, shapes, lines, and location in the visual field all seem to express different messages. We as photographers can control what we include in the frame and if we internalize the visual language concepts, we can use them to say certain things when we create our photographs. Lastly, Guy presented research findings that show a correlation between participating in a creative process and personal happiness!

By several measures PhotoOp 16 was a success. Many comments expressed appreciation for the in-depth, thought-provoking messages delivered by this year’s speakers.

If you have comments, praise, complaints or suggestions, we’d enjoy hearing from you. 

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